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As the biggest developing country of the world and the popular travel destination for numerous foreigners,China has a long history of more than 5000 years, which brings up the resplendently rich modern civilization. So,Chinais a great county with its own culture and civilization.

 What should you have to experience for your China tour, and what are the ones that can be mostly symbolize China, helping you know much more about China and its culture. 

Here, we list the top 10 Chinese symbols for your convenience, including, China Great Wall, China Giant Panda, Lantern, Beijing Opera, Jiaozi, Red Flag, Qipao, Knotting, Kungfu, Sedan Chair.

 1. The Great Wall

There is an old saying: “You are a real man until you climb up the Great Wall”, which reflects the Chinese People’s spirit of courage and persistance. TheGreat Wall of China, one of the greatest wonders of the world, was listed as a World Heritage by UNESCO in 1987. Just like a gigantic dragon, the Great Wall winds up and down across deserts, grasslands, mountains and plateaus. It is a remarkable piece of engineering and is the most famous symbol ofChina.

 2. China Giant Panda

The giant panda, regarded as one ofChina’s National Treasures, is on the verge of extinction. Today there are fewer than 1,000 giant pandas living in the world. The giant panda is the symbol of eco-environmental conservation. Visitors toChinacan see this reclusive animal inSichuanProvince’s Chengdu Research Base of Giant Panda Breeding. We hope, with their cute faces, unusual beauty and grace, giant pandas can bring visitors toChinapleasure and enjoyment.

 3. Chinese Lantern

Lanterns play an important and irreplaceable role in Chinese long history and symbolize the brilliant culture ofChina. The art of lanterns, as the precious traditional culture of Chinese, is also inherited and continues among folks.

 The craftwork of lantern is still widely used in current society which can be seen in some happy days such as the Lantern Festival, wedding and celebration ceremonies. Besides, lanterns have some other functions in daily life. For example, at ancient time, when there was no electricity, lanterns were used as a tool of illumination, which brought great convenience to everyday life.

 4. Beijing Opera (Bianlian)

Beijing Opera is the quintessence ofChina. As the largest Chinese opera form, it is extolled as ‘Oriental Opera’. Having a history of 160 years, it has created many ‘firsts’ in Chinese dramas: the abundance of repertoires, the number of artists, opera troupes and spectators.

 The costumes in Beijing Opera are graceful, magnificent, elegant and brilliant, and mostly are made in handicraft embroidery. As the traditional Chinese pattern are adopted, the costumes are of a high aesthetic value.
The types of facial make-ups in Beijing Opera are rich and various, depicting different characters and remarkable images, therefore they are highly appreciated. Moreover there are numerous fixed editions of facial make-up.

 5. Chinese Jiaozi

Jiaozi (Chinese Dumpling) is a traditional Chinese food, and is greatly loved by most foreigners.

 Dumplings are one of the major foods eaten during the Chinese New Year, and year round in thenorthern provinces. Traditionally, families get together to make jiaozi for the Chinese New Year. In rural areas, the choicest livestock is slaughtered, the meat ground and wrapped into dumplings, and frozen outside with the help of the freezing weather. Then they are boiled and served for the Chinese New Year feast. Dumplings with sweet, rather than savoury fillings are also popular as a Chinese New Year treat.

 

6. Chinese Red Flag

The flag of the People’s Republic ofChinais a red field charged in the canton with five golden stars. The design features one large star, with four smaller stars in a semicirc
le set off towards the fly. The red represents revolution; the five stars and their relationship represents the unity of the Chinese people under the leadership of Communist Party of China (CPC). Sometimes, the flag is referred to as the “Five Star Red Flag”.

 7. Chinese Qipao

The cheongsam is a female dress with distinctive Chinese features and enjoys a growing popularity in the international world of high fashion. The name “cheongsam,” meaning simply “long dress,” entered the English vocabulary from the dialect ofChina’sGuangdongProvince(Cantonese). In other parts of the country includingBeijing, however, it is known as “qipao”, which has a history behind it.

 8. Chinese Knotting

Chinese knotting is a decorative handicraft arts that began as a form of Chinese folk art in the Tang and Song Dynasty (960-1279 AD) inChina. It was later popularized in the Ming and Qing Dynasty (1368-1911 AD). The art is also referred to as Chinese traditional decorative knots. In other cultures, it is known as “Decorative knots”.

 In February 2008, Corra Liew from Malaysia seek possibilities out from the traditional Wire Jewelry Making technique, Chinese knotting is then merged and presented in wire form. Corra addressed the technique as Wired Chinese Knot.

 9. Chinese Kungfu

Kung fu and wushu are popular terms that have become synonymous with Chinese martial arts. However, the Chinese terms kung fu and wushu have very different meanings. The Chinese literal equivalent of “Chinese martial art” would be zhongguo wushu.

 In Chinese, kung fu can be used in contexts completely unrelated to martial arts, and refers colloquially to any individual accomplishment or skill cultivated through long and hard work. In contrast, wushu is a more precise term for general martial activities.

 10. Chinese Sedan Chair

A sedan chair is a human or animal-powered transport vehicle for carrying a person, once popular acrossChina. It has different names like “shoulder carriage”, “sleeping sedan” and “warm sedan” etc due to the time, location and structural differences. The sedans familiar to modern people are warm sedans that have been in use since the Ming and Qing Dynasties. The sedan body is fixed in the wooden rectangular frames on the two thin log poles. The top and four sides of the seat are enclosed with curtains, with a chair blind that could be rolled open in the front and a small window on each side. A chair is placed inside the enclosed space.

 Related story

The Yellow River is the second longest river in China and the fifth longest in the world at 5,464 kilometers (3,398 miles).

 Originating in theBayankalaMountainsinQinghaiProvincein westernChina, it flows through nine provinces of China, namelyQinghai,Sichuan,Gansu, Ningxia,Inner Mongolia,Shaanxi,Shanxi,Henan, and Shandong Provinces and empties into the Bo Sea.

 TheYellow River gains its name for its major color that is the color of sand, because the river is the highest sand-capacity one in the world.

Part1 History & Culture 

As the Chinese regard yellow as an emblem of loess land, the emperor, the yellow skin and the legendary Chinese Dragon, the Yellow River is referred as not only a river, but also “the MotherRiver” and “the Cradle of the Chinese Civilization”.

 30 million years ago, ancient Chinese started to live by the shore of theYellow Riverand played the overture of the ancient Chinese civilization. It is the birthplace of the ancient Chinese civilizations and is the most prosperous region in early Chinese history. Six thousand years ago, as a representative of the matriarchal culture, Banpo Clan had existence on the Loess land of northChina.

 The reign of Chinese ancient emperors of several dynasties promotes the development of ancient Chinese civilizations to the peak. Gunpowder, compass, paper making, printing, poetry, Song of the Song Dynasty , all of these inventions and scientific achievements not only promote Chinese culture development, but also spread it to the rest of the world, making an important contribution to the cultural development of human beings.

Part2 Distribution

It is commonly considered that theYellow Rivercan be divided into the three following reaches.

 The upper reaches of the yellow river is referred to the area above theHekouTowninTuoketuoCounty, Inner Mongolia Autonomous Region. The river in this section goes rushing and carries for nearly 50 percent of water resource ofYellow river.

 The middle reaches runs fromHekouTownto Tao Huayu inZhengzhou,HenanProvince. The river passes through the longest series of continuous valleys on its main course, collectively called theJinshanValley. The large amount of mud and sand discharged into the river makes theYellow Riverthe most sediment-laden river in the world. And the abundant hydrodynamic resources stored in this section make it the second most suitable area to build hydroelectric power plants.

 The lower reaches of the Yellow River is recognized as the area below Tao Huayu inZhengzhou.

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Located in the west of  Henan Province in central China,Luoyang occupies quite an important geographic location. It is in the middle reaches of theYellow River and is encircled by mountains and plains. To its east and west are the Hu Lao Pass and Han Gu Pass which were essential domestic transportation junctions in ancient times. To its north,MengjinCountywas an important ferry crossing of theYellow River. Thus,Luoyangwas selected as the capital city by 13 dynasties starting from the Xia Dynasty (21st-16th century BC) in the 21st century BC. In the period following the Han Dynasty (206BC-220), and particularly during the Sui (581-618) and Tang (618-907) dynasties, the city experienced a period of growth and prosperity and ranked as one of the international metropolitans of the time.

Its long history endowsLuoyangwith a profound sense of culture. The city is the cradle of Chinese civilization where many Chinese legends happened, such as Nvwa Patching the Sky, Dayu Controlling Flood and the Chinese ancestor Huangdi Establishing the Nation. The city is also famed as the ‘Poets Capital’ as poets and literates of ancient China often gathered there and left grand works, Longmen Grottoes including ‘Book of Wisdom’ (‘Daode Jing’), ‘Han History’ (‘Han Shu’) and ‘Administrative Theory of Admonishing Official’ (‘Zi Zhi Tong Jian’). Religious culture once thrived here. Taoism originated there and the first Buddhist temple set up by the government was located there.Luoyangis also the hometown of many of the scientific inventions of ancientChina, such as the seismograph, armillary sphere, paper making, printing and the compass.

 Luoyang has rich historical and cultural sites. The Longmen Grottoes are one of China’s three most precious treasure houses of stone sculptures and inscriptions. The White Horse Temple is the first Buddhist temple and is honored as the “Cradle of Buddhism inChina”.  Mt.Mangshanis where ancient tombs of emperors, nobles and literates in the past dynasties collected. The Luoyang Ancient Tombs Museum is the world’s first example of the kind and presents thousands of treasures discovered in the tombs.ShaolinTempleis the place of origin for Chinese Zen Buddhism and the cradle of Chinese Martial Art. Landscapes inLuoyanghold the same attraction as the cultural sites.WhiteCloudMountain,FuniuMountain, Long Yu Wan National Forest Park, Ji Guan Limestone Cave and the Yellow River Xiaolangdi Scenic Area are all worth a visit. Additionally,Luoyangis particularly well known for its peonies. Every year in April, the flowers blossom and attract tourists from all over the world.

White Horse Temple Dining inLuoyangis quite an enjoyable experience. Various kinds of local dishes, including Water Feast, Yan Cai and others which use the famousYellow Rivercarps as an ingredient, together with the uniquely flavored soups, will greatly satisfy your taste buds.Luoyang’s local specialties such as Palace Lanterns, bronze vessels and Tri-colored glazed potteries will no doubt delight your eyes and offer you ideal souvenirs. Being a modern city as well,Luoyanghas hotels of all standards which provide you quite a broad choice for your stay. Most of the hotels have reasonable room prices and perfect services.

Transportation is well developed inLuoyang.BeijiaoAirporthas many domestic flights extending to many large cities in other provinces. It’s also very easy to get toLuoyangby train because one ofChina’s most important railway lines Long Hai Railway traverses the city and connects most cities in east, west and centralChina. The convenient city buses and taxies can carry you around the city. Near the railway station, special tourist buses can take you to the tourist spots in the suburban areas of the city.

Luoyang, a charming city filled with the fragrance of peonies and the primitive atmosphere of ancient civilization, is waiting and welcoming guests from all over the world. Putting the city into the list of your exploration inChina, you will get far more than what you expect.

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JiayuPass, known as the “No. 1 Strategic pass in the world”, is the western end of the Great Wall.

 The existing Jiayu Pass walls were built in the time of Ming Dynasty. The construction of these walls began in 1372. It was not until 1539 that they became a complete defense system, which had three defense lines, the entrenchment, the outer wall, and the inner wall.

 There are many legends concerning the construction of the walls and the most widely spread one is“the Last Piece of Brick”. In the construction ofJiayuPass, the project official proposes a thorny request that the budget of materials must be precise. As a result, when the project was completed, almost all the materials were run out with only one piece of brick, thus this piece of brick was called the last piece of brick which is still laid on the platform of the gate wall now. Many visitors come here to take a look at the last piece of brick with the respect to the ancient artisans.

 

Ancient Chinese paintings can be traced back to as early as 5,000 to 6,000 years ago, when people began to use minerals to draw simple pictures resembling animals, plants, and even human beings on rocks and produce drawings of amazing designs and decorations on the surface of potteries and laterbronzecontainers. However, only a few of the works have survived over time. The earliest drawings that have been preserved till today were produced onpaperand silk, which were burial articles with a history of over 2,000 years.

As far as the subject is concerned, Chinese paintings fall into several categories, such as figure paintings, landscapes, andflower-and-bird paintings. European paintings, introduced into China in 17th century, were called “Western paintings,” and the traditional local works, “the Chinese paintings.”

As the representative of Eastern paintings, Chinese paintings greatly differ from the Western counterpart in terms of contents, forms, and styles. The following will give you a more vivid picture of the exotic Chinese paintings.

1.Colored Painting (gongbi) and Water-Ink Painting (xieyi)

In terms of drawing skills, Chinese paintings can be categorized into two styles: colored paintings and water-ink paintings, with the former dominant before the 12th century by professional or craftsman painters, and the latter in and after the 12th century by literati painters.

Also known as “fine-stroke” paintings, colored paintings feature close attention to details and fine brushwork. Thanks to the mineral-made dyes, the original colors can be fully maintained and the paintings will not fade away as time goes by. Colored paintings, which manifest in themselves unparalleled sublime air, were widely welcomed among the painters serving in royal courts.

On the contrary, water-ink paintings, also called “thick-stroke” paintings, are supposed to convey spiritual resonance with strokes as simple as possible, instead of attaching much importance to the realistic subjects.

Exaggerated forms, such as generalization and hyperbole as well as rich imagination, are employed in painting to display painters’ feelings. Therefore, it is relatively difficult to make a copy of a water-ink painting.

Anyway, there is no absolute line between the two schools. No matter which school they belonged to, painters could and did compromise a little and learn from each other, giving rise to a mixed style including elements from both.

2.A perfect integration of poetry,calligraphy, painting andseal engraving

Traditional Chinese paintings perfectly integrate poetry, calligraphy, painting, andsealengraving, all of which are necessary components. As Chinese is an ideographic language system, most of theChinese charactersin ancient times were produced with concise strokes according to the shapes or meanings of the signified, which naturally generated an artistic form of calligraphy closely connected with painting.

Chinese painters, in particular literati painters, would unconsciously draw with the styles of calligraphy. Writing poems became an established way to express their feelings during the process of drawing. In the end, according to the tradition of Chinese literati, red seals with their names engraved were used to sign their works, a tradition that continues to this day.

Actually, Chinese paintings clearly reveal that Chinese think in a holistic way. In other words, before drawing, painters must have an overall planning concerning the content of poems, the style of calligraphy, and the place where the works should be signed. The criterion of “Painting in poetry and poetry in painting” for excellent works was originally set by Sushi (1036-1101), the well-known painter and litterateur in the Northern Song Dynasty(960-1127). Other painters later held this idea in high esteem.

An obvious distinction between Chinese and European paintings lies in the fact that a piece of blank space is always reserved in Chinese paintings for clouds over mountains, fog haunting above rivers, light circles reflected from the sun or the moon, or nothing at all. Some argue that the “blankness” in Chinese paintings is the most appropriate vehicle to convey the uncertainty and ambiguity featured in Chinese poems.

3.Figure paintings, landscapes and flower-and-bird paintings

Ample evidences can be found in fine-art archeology that paintings with people as the subject turned out to be the earliest one among all the categories of Chinese paintings and used to enjoy prosperous development. Dating back to the primitive age, ancestors drew pictures of human beings and animals on walls and rocks with white stalks, red bauxite, or charcoal.

However, figure paintings didn’t get fully developed until 1,500 years ago, when Gu Dangzhi (348-409), the famous painter and art theorist, asserted that more attention should be paid not only to the external shapes of figures, but also the internal quality. Hereafter, this argument was accepted by artists and critics and taken as an established rule guiding the future production and comments of similar works.

As the most important and most influential category among Chinese paintings, thelandscape paintings, which came into being much later and developed quickly in theTang Dynasty(618-907), usually take images of natural scenery, such as mountains or rivers, as the subjects. Over the long history of paintings in ancient China, the largest portion of painters specialized in landscapes.

Landscape painting could reach its heyday and maintain its dominant role in Chinese paintings because of its deep root in Chinese traditional culture. Chinese philosophers in ancient times believed in the “unity of human beings and heaven,” which means that human beings can feel nature and therefore should be in a harmonious relationship with it.

Having widely accepted this argument, which is different from the Western one that nature should be conquered, Chinese painters tended to integrate their feelings and dreams into the natural scenery they were producing, which meanwhile arouses aspiration and imagination from readers.

With flowers and grass, bamboos and rocks, birds and beasts, and worms and fish as the major subjects, flower-and-bird paintings are usually viewed and admired by viewers. The most frequently seen pictures feature a combination of flowers and birds, hence the flower-and-bird name.

Originally designed for craftwork, flower-and-bird painting eventually established itself as an independent school in the Tang Dynasty. What’s more, considered sublime and elegant by literati in ancient China, the so-called “four gentlemen” including plum, orchid, bamboo, and chrysanthemum (mei, lan, zhu, ju) are the most welcomed subjects in Chinese flower-and-bird paintings.

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The over 1,800 year old Tea Horse Trade Route starts from Simao, a place that has been famous for its Pu’er tea, in southwest China’s Yunnan province. The Tea Horse Trade Route, or simply Tea Horse Road, goes from its southern end to Southeast Asia, connects Beijing from its north and zigzags to Tibet from its West.

The road had long been an important trade route in history, along which the local rich Pu’er tea was carried out of the country for border trade, together with China’s culture.

Pu’er tea, in fact, is everywhere in the air in and around Simao. Thus if you have the chance to travel to Simao then a visit to the Tea Horse Road is a must.

The Banjiu ( meaning ‘turtle dove’) slope section is a key part of the Tea Horse Road from its south to north. It’s also the best preserved section that contains the richest part of the ancient tea horse road’s culture. It’s called a “living fossil in Chinese, even world, transportation history.”

It was a rainy day when we arrived at Pojiao village in Simao to recall what the horse caravan in the past must have gone through, though we were without horses or heavy load of bags, but with just empty hands and good sports shoes.

Walking on the zigzagging narrow stone road, I saw parents saying goodbye to their children with tears in eyes, girls waiting for their beloved one’s return on Shi Pinghe Bridge and horses and cows moving slowly toward the north. I could also hear the sound of small bells on a horse lingering in the valley.

It was along the Tea Horse Trade Route that tribute tea was sent to Beijing long ago. On the distant journey, the tea inevitably became wet and hot due to the rain fall and the sun. Accidentally, the post-fermentation of Pu’er tea was discovered and made the tea well-known. Countless stories occurred along the Tea Horse Road.

In rain, the road became slippery and we walked slowly and carefully. Some people asked how long we would have to walk and after walking about three kilometres along the road we decided to go back. I couldn’t help myself thinking about those ancient times. Facing challenges from the weather, bad roads, bandits and homesickness, these horse caravans had to have been strong-minded, brave and persistent. I couldn’t help but admire their courage that we often failed to have today.

Even though nowadays it takes only a matter of hours to travel from Beijing to New York or South Africa, and we have far more transportation options, it’s still good to re-walk the ancient Tea Horse Road, not just for the brilliant scenery and fresh air but also to re-connect with the history.

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Naxi men are well known for their laziness. Apparently, there are three ambitions for a Naxi man:

• Build a house
• Marry and have a son
• Bask in the sun

When they are not otherwise engaged, Naxi men enjoy hunting, raising birds, playing Naxi music and practicing calligraphy, a list that clearly shows a mix of traditional concerns (hunting) with Chinese influences (calligraphy, or pretensions to being a scholar).

Naxi men use hawks in their hunting and previously they used to sit on the bridge parading their hunting hawks and watching the women walk by. Despite their much-vaunted reputation as a matriarchal society the truth is somewhat different. As a general rule young boys are allowed to be as naughty as they please, while girls help their mothers with the chores as soon as they are able. Furthermore, girls marry out, and kinship is reckoned from the father’s side – making the whole social edifice appear a very male-friendly (if not wholly male-invented) form of matriarchy.

The association of the Naxi with matriarchy seems to be an unfortunate consequence of another closely related ethnicity known in Chinese as the Mosuo, who do in fact practice matrilineal descent.

The Musuo, who are based to the north-west of Lijiang, are classified by the Chinese authorities as belonging to the Naxi ethnicity, a categorization that the Naxi usually strenuously oppose.

One small piece of history – look for a missing index finger on the right hand of some elderly men. Apparently this indicates that they had no wish to be conscripted to fight for the Kuomintang against the Japanese in the late 1930s and early 1940s.

The fight against the Japanese was another interesting chapter in the long-running story of a route which joined Lijiang with Tibet , a route which came to be known as the southern branch of the Tea and Horse Route .

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The Silk Road is a general term that once comprised a series of ancient trade routes connecting China with Asia, Africa and Europe. As an important link between the Eastern and Western worlds, it greatly improves the in-depth exchange of politics, economics and culture among countries along the route. The four great inventions by the Chinese (namely paper, printing, compass and gunpowder), silkworm raising and silk weaving, tea and china have also become accessible to other parts of world. At the same time, Buddhism, Nestorianism, Islam, music, and astronomy were introduced to China.

The Silk Road can be divided into two major routes: by land and by sea. The main inland routes prospered during the Han Dynasty (206 BC – 24 AD) and then declined during the Ming Dynasty (1368 – 1644). The route, which was over 7,000 kilo
meters (4,943.6 miles) long, is widely considered to start from Chang’an (today’s Xian, China) traverse Gansu and Xinjiang, and extend westward to the Mediterranean area. Interestingly, the starting points changed as the political centers of the following dynasties also changed, including Luoyang , Datong, Kaifeng, and Beijing.

The routes by sea arose in the Qin Dynasty (221 BC – 207 BC), flourished in the Song Dynasty (960 – 1279) and the Yuan Dynasty (1271 – 1368), and fell into decay during the middle Ming Dynasty. The principle route began in Guangzhou , Yantai, Yangzhou, Ningbo, and Quanzhou along with other coastal cities, via the Indian Ocean, the Red Sea, and finally reached the Mediterranean.

After several centuries of disregard, the once dormant Silk Road is once again springing to life. Tourists can explore the ancient historical sites, enjoy the gorgeous scenery along the route and appreciate mysterious attractions, such as Mogao Caves in Dunhuang and the Yumenguan Pass which was considered an important pass of the trade route. This centuries-old, international trade route awaits your adventurous undertaking.

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Situated in the river valley along the lower part of Xiang River, Changsha is the capital city of Hunan Province. The recorded history of Changsha can be traced back 3000 years. Tomb relics from the primitive periods witnessing the earliest human of activities have been discovered in this region. During the Spring and Autumn Period (770 B.C. – 476 B.C.), the area developed into an important town within the State of Chu, (one of the seven warring states that existed before China’s unification by Emperor Qin). After Emperor Qin (the first feudal emperor in China’s history) unified the country, the town was set up as a county and later became the capital city of a state in the early Han Dynasty (206 B.C. – 220). The tomb excavation site of Mawangdui found in the eastern suburb of the city is a family graveyard from that period. The most fantastic historical relic should be the well-preserved mummified remains of a Western Han Dynasty woman excavated from the tombs. Some of thousands of relics unearthed include silk products, paintings, lacquer works, potteries, bamboo slips used for writing, weapons and herbs, all of which are exhibited in Hunan Provincial Museum.

In the dynasties that followed, the city experienced several expansions and during China’s Qing Dynasty (1644-1911), it has developed into the political, economic and cultural center of Hunan Province.

Although not as ancient a capital city as Beijing, Nanjing or Xian, Changsha also has rich historical heritages including old wall remains, tomb sites, religious temples and buildings. What earns the city its reputation among tourists are two things. One is a great man in China’s recent history, Chairman Mao Zedong and the other is Yuelu Academy, a time-honored academic school perched on the scenic Yuelu Mountain. Originally built in 976 during the Song Dynasty, the academy school survived through the Yuan, Ming and Qing dynasties and is considered to be the cradle of Huxiang Culture. (simply means the culture school in Hunan Province)

The village of Shaoshan, about 130 kilometers south-west of Changsha is the hometown of Chairman Mao Zedong. Today, the village has become a memorial place for Chinese people to remember this extraordinary man. People erected a statue of the Chairman and have preserved the houses he lived as a tourist site. A museum and other memorial spots in the scenic area create a kind of solemn atmosphere. Many Chinese come to pay respect and visit here during the memorial days.

In addition, the city was home to other revolutionary leaders including Liu Shaoqi, Huyaobang and former Chinese prime minister, Zhu Rongji. Therefore, it acts as a good place to learn more about China’s recent history.

Changsha people boast to be the best gourmand of China and here people spend a lot of time eating. Xiang Cuisine is one of the Eight Cuisines in China and has a fine and delicate appearance and a hot & sour taste and the heavy and hot taste is an equal competitor to the spicy food of Sichuan. Street dining and restaurants in the city make every visitor’s mouth hot. No matter the featured snacks – ‘Stinky Tofu’ and ‘Sisters’Rice Balls’ in Huogongdian (Fire Palace) or the famous spicy shrimps at Nanmenkou, the many types of delicious local food will not disappoint any guests.

Changsha people are also renowned for their acting and have created various traditional folk art performances of their own including the local operas, storytelling, drum opera, acrobatics and other dramatic styles. Everyone can feel their hospitalities and enthusiasm by their vigorous dances. Today, most of the entertainment houses in the city present dynamic and entertaining performances featuring a blend of the traditional essence and the modern flare. The neon lights of KTV squares, disco parlors, clubs and dancing squares illuminate the city at night. Dotted with all sorts of bars and pubs, Jiefang Xilu, although not as prosperous as Sanlitun Pub Street in Beijing, has its own styles. Romantic and quiet bars, dynamic show bars, teahouses, western style restaurants…People of all ages can find their ideal place to spend their leisure time.

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